He jokes that before landing on the final version of Clive, the team arrived at some looks for Clive that looked great, only to discover that when he did something like smile, “it just looked disgusting” and “didn’t look right.” It was only after bringing in CG artists and having discussions with them about this issue that CBUIII created the face Clive has today.Īs for the visual design of FFXVI’s Eikons, I was curious about how CBUIII approached the style of monsters that most Final Fantasy fans are already familiar with. CBUIII brought in CG artists to give feedback because it wanted a real character that represented those original character art illustrations well. To create protagonist Clive Rosfield, Minagawa says it was the combination of work from the art team’s staff as well as “the IMS group,” which is the group that works on a lot of the animated CGI movies for Square Enix. He also cites Iceland’s barren rocky landscapes, Slovenia, the Middle East and Africa, especially in relation to Valisthea’s Dhalmekian Republic, and even other parts of Final Fantasy, like Final Fantasy XII’s Dalmasca. In terms of inspiration, Minagawa cites northern England and its unique rock formations that, to him, define dark fantasy. 148 The End Of The World Published on DecemZAHD&ART 4. Mention distinctive landmarks, varying climates, and diverse ecosystems to create a sense of vastness. This was the philosophy behind the visual concept of Valisthea, which is inspired by real-world locations but still very much Final Fantasy. To convey the scale of a fantasy landscape, focus on providing vivid descriptions and details that help readers visualize the world you’ve created. From there, it was about bringing FFXVI’s art to life based on what Takai envisioned. Minagawa worked with the CBUIII team to emphasize the difference in focus on visuals between the two games.
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With FFXVI being an offline single-player experience, “the graphics have to be at a higher level, and they have to be deeper and richer in that sense.” He says he approached art direction quite differently from his work on FFXIV because, with FFXIV being an MMO, the team focuses graphical quality on displaying lots of different things on screen. Very early in that process, I was able to speak a lot with about what type of world it was going to be, what type of flavor the world is going to be, and be a part of that creative process there.” Fantasy Concept Art (1 - 40 of 3,000+ results) Price () Shipping All Sellers Custom Fantasy Character Art,Fantasy Concept Art,Dnd,Dnd Art,Character Art,RPG Character Design, Fantasy Character Design,Perfect Gift (6) 16. It does not matter what industry is the drawing, the creation of the necessary sketches is always an important part. “I got that call very, very early in the development process. A fantasy landscape artist has a challenging task, which requires as much imagination as possible to complete.
“Like other members on the Final Fantasy XVI team, I was also working on when I was asked to come over to Final Fantasy XVI,” Minagawa tells me. Final Fantasy XVI Art Director Hiroshi Minagawa
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